Angela Bocage



True Blood on TV

It’s my personal version of watching football, I guess, in the sense of being utterly useless and silly and bewitchingly fun vicarious involvement in events so far from our own real lives. In the same way as the football fans discuss the games—what coaches might do, relative skills of players—we discussed throughout the first season whether Sam could have killed vampire-friendly female Bon Temps citizens to frighten Sookie away from Bill, whether the Sheriff’s Department could have been covering up for one of their own, what Amy was REALLY after. But the brilliant twist of the whole series, books and HBO, is that in making the vampires the latest civil rights-vs.-bigotry flashpoint, they force the viewer to exist in a world where race and sexuality aren’t all that important. This can be very disturbing, e.g. when Sookie’s friend and coworker Lafayette, both gay and African American, confronts a high-profile politician with whom he’s had various extra-legal business dealings—because he’s outraged by the would-be senator’s anti-vampire stance, not his homophobia—and then proceeds to use the politician’s constituents’ racism to harm his electability by posing for a friendly photo. The choice of music and the swampy southern atmosphere of the show are also rather enchanting.

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